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[夜与日].(night.and.day).(英)弗吉尼亚·伍尔芙.文字版-第章

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manner which always gave her phrases the likeness of 
butterflies flaunting from one sunny spot to another; 
“D’you know; Mr。 Denham; you remind me so much of 
dear Mr。 Ruskin… 。 Is it his tie; Katharine; or his hair; or 

7 



Night and Day 

the way he sits in his chair? Do tell me; Mr。 Denham; are 
you an admirer of Ruskin? Some one; the other day; said 
to me; ‘Oh; no; we don’t read Ruskin; Mrs。 Hilbery。’ What 
do you read; I wonder?—for you can’t spend all your time 
going up in aeroplanes and burrowing into the bowels of 
the earth。” 

She looked benevolently at Denham; who said nothing 
articulate; and then at Katharine; who smiled but said 
nothing either; upon which Mrs。 Hilbery seemed possessed 
by a brilliant idea; and exclaimed: 

“I’m sure Mr。 Denham would like to see our things; 
Katharine。 I’m sure he’s not like that dreadful young man; 
Mr。 Ponting; who told me that he considered it our duty 
to live exclusively in the present。 After all; what IS the 
present? Half of it’s the past; and the better half; too; I 
should say;” she added; turning to Mr。 Fortescue。 

Denham rose; half meaning to go; and thinking that he 
had seen all that there was to see; but Katharine rose at 
the same moment; and saying; “Perhaps you would like 
to see the pictures;” led the way across the drawing
room to a smaller room opening out of it。 

The smaller room was something like a chapel in a cathedral; 
or a grotto in a cave; for the booming sound of 
the traffic in the distance suggested the soft surge of waters; 
and the oval mirrors; with their silver surface; were 
like deep pools trembling beneath starlight。 But the parison 
to a religious temple of some kind was the more 
apt of the two; for the little room was crowded with relics。 

As Katharine touched different spots; lights sprang here 
and there; and revealed a square mass of redandgold 
books; and then a long skirt in blueandwhite paint lustrous 
behind glass; and then a mahogany writingtable; 
with its orderly equipment; and; finally; a picture above 
the table; to which special illumination was accorded。 
When Katharine had touched these last lights; she stood 
back; as much as to say; “There!” Denham found himself 
looked down upon by the eyes of the great poet; Richard 
Alardyce; and suffered a little shock which would have 
led him; had he been wearing a hat; to remove it。 The 
eyes looked at him out of the mellow pinks and yellows 
of the paint with divine friendliness; which embraced him; 
and passed on to contemplate the entire world。 The paint 

8 



Virginia Woolf 

had so faded that very little but the beautiful large eyes 
were left; dark in the surrounding dimness。 

Katharine waited as though for him to receive a full 
impression; and then she said: 

“This is his writingtable。 He used this pen;” and she 
lifted a quill pen and laid it down again。 The writing
table was splashed with old ink; and the pen disheveled 
in service。 There lay the gigantic goldrimmed spectacles; 
ready to his hand; and beneath the table was a pair of 
large; worn slippers; one of which Katharine picked up; 
remarking: 

“I think my grandfather must have been at least twice as 
large as any one is nowadays。 This;” she went on; as if she 
knew what she had to say by heart; “is the original manuscript 
of the ‘Ode to Winter。’ The early poems are far less 
corrected than the later。 Would you like to look at it?” 

While Mr。 Denham examined the manuscript; she glanced 
up at her grandfather; and; for the thousandth time; fell 
into a pleasant dreamy state in which she seemed to be 
the panion of those giant men; of their own lineage; 
at any rate; and the insignificant present moment was 

put to shame。 That magnificent ghostly head on the canvas; 
surely; never beheld all the trivialities of a Sunday 
afternoon; and it did not seem to matter what she and 
this young man said to each other; for they were only 
small people。 

“This is a copy of the first edition of the poems;” she 
continued; without considering the fact that Mr。 Denham 
was still occupied with the manuscript; “which contains 
several poems that have not been reprinted; as well as 
corrections。” She paused for a minute; and then went on; 
as if these spaces had all been calculated。 

“That lady in blue is my greatgrandmother; by 
Millington。 Here is my uncle’s walkingstick—he was Sir 
Richard Warburton; you know; and rode with Havelock to 
the Relief of Lucknow。 And then; let me see—oh; that’s 
the original Alardyce; 1697; the founder of the family 
fortunes; with his wife。 Some one gave us this bowl the 
other day because it has their crest and initials。 We think 
it must have been given them to celebrate their silver 
weddingday。” 

Here she stopped for a moment; wondering why it was 

9 



Night and Day 

that Mr。 Denham said nothing。 Her feeling that he was 
antagonistic to her; which had lapsed while she thought 
of her family possessions; returned so keenly that she 
stopped in the middle of her catalog and looked at him。 
Her mother; wishing to connect him reputably with the 
great dead; had pared him with Mr。 Ruskin; and the 
parison was in Katharine’s mind; and led her to be 
more critical of the young man than was fair; for a young 
man paying a call in a tailcoat is in a different element 
altogether from a head seized at its climax of expressiveness; 
gazing immutably from behind a sheet of glass; 
which was all that remained to her of Mr。 Ruskin。 He had 
a singular face—a face built for swiftness and decision 
rather than for massive contemplation; the forehead broad; 
the nose long and formidable; the lips cleanshaven and 
at once dogged and sensitive; the cheeks lean; with a 
deeply running tide of red blood in them。 His eyes; expressive 
now of the usual masculine impersonality and 
authority; might reveal more subtle emotions under favorable 
circumstances; for they were large; and of a clear; 
brown color; they seemed unexpectedly to hesitate and 

speculate; but Katharine only looked at him to wonder 
whether his
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